The extraordinary result surpassed its predecessor and ranked number one in most territories, setting a string of industry records. The animated release combined with the $67.5m number one North American opening to move past $215m worldwide in its first weekend.
Paramount/DreamWorks’ Transformers: Revenge Of The Fallen cruised towards $300m in its second weekend through PPI, while Sony’s one-two punch from Angels & Demons and Terminator Salvation saw those films reach $342m and $228m, respectively.
Ice Age 3 went out on 11,652 screens and the 3D result was significant, delivering $51m from 2,126 screens for 34% of the total revenue from 18% of the screens in what was the widest and most lucrative 3D launch ever.
It is worth bearing in mind that premium price points for 3D ticket sales often lead to a disproportionately high figure when compared to the screen count.
The overall debut ranks behind only Pirates Of The Caribbean 3 on $251m, Spider-Man 3 on $230.9m, Harry Potter 5 on $185.3n, Transformers 2 on $165.4m, and The Da Vinci Code’s $155m.
Fox International executives noted that if Ice Age 3 were compared to Transformers 2 in the same territories (the animated release is yet to open in China, Japan, South Korea and Italy) it in fact surpassed PPI’s hit by $27.5m. Similarly, it beat The Da Vinci Code by $23.4m.
The film set new industry marks in well over a dozen territories, among them Russia on $18.9m (589m roubles), Mexico on $10m ($132.4m pesos) for 65% market share, Brazil on $10.3m, and Austria on $3.4m (€2.4m).
Germany produced $16.6m and the UK delivered $13.1m (£7.9m) including two days of previews, while France’s $15.7m (€11.1m) was one of more than ten territories that produced all-time animated launch records. Another was India, where Ice Age 3 grossed $395,000 (19m rupees).
In other key markets, the film managed $9m in Spain, $6.5m in Australia, $3m in Switzerland for the second biggest animated launch behind Ice Age 2, and $2m in Norway for once again the silver medal in the all-time animated pantheon behind Ice Age 2. There was a notable result too in Hong Kong, where it took $1.9m from 67 screens including a record $1.6m from 50 3D screens.
* Transformers: Revenge Of The Fallen added $55.3m from 9,546 sites in 62 territories through PPI and after a mere two weekends stands at $298m. The biggest contribution came from South Korea, where the film held well on $8m from 1,030 sites after a 27% drop for $26.2m.
The warring robots added $5.2m in China from 1,009 sites for $41.6m, $5.1m in Australia from 240 for $22m, $3.8m in France from 660 for $12.7m, and $3.5m in the UK from 493 for $34.3m. The mechanical mayhem resisted Ice Age 3 to stay top in Australia and New Zealand, and also held on to number one spots in Italy and South Korea.
* With Harry Potter And The Half-Blood Prince waiting in the wings, Warner Bros Pictures International reported another solid weekend for its hit comedy The Hangover as $9m from 1,950 screens in 30 markets raised the tally to $61.6m.
Fuelled by the close of Fete Du Cinema in France the comedy used a $2.1m haul to climb to $4.8m in third place after two weekends. In the UK it added $2.5m from 415 sites for $22.6m after four, and grossed $1.7m from 228 screens in the fourth weekend in Australia for $11.5m.
* Terminator Salvation has reached $228.7m after grossing $5m from 4,590 screens in 63 markets. Sony Pictures Releasing International’s portion was $4.9m for a $202.6m running total. The action romp added $1.8m in Japan from 396 screens in the fifth weekend for $28.7m and stands at $22.9m in the UK after the same amount of time.
* Angels & Demons added a further $2.6m from 2,670 screens in 62 markets for $342.2m and after eight weekends has reached $43.9m in Germany,
$33.6m in Japan, $28.2m in the UK, $20.9m in Spain, $17.7m in France, $25.6m in Italy, and $13.7m in Australia.
* Sony’s comedy Year One took $1.4m from 575 screens in five markets for an early $7m tally. The UK generated $820,000 from 381 in its second weekend for $3.3m and Australia produced $525,000 from 185 for $3.6m after three.
* Universal/UPI’s thriller Public Enemies opened day-and-date with North America in five territories for $5.3m from 958 venues overall. The highlights were a third place debut in the UK on $3.6m from 458, and $1.2m from 395 in Mexico for third place. France will be among ten new markets to receive the film next weekend.
* State Of Play added $2m from 1,000 in 33 territories for $43.8m. In France, where it is released through Studio Canal, it held strong in fifth place on $1.1m from 394 for $3.2m after two weekends. There are six more territories in Latin America to open over the next two months.
* Coraline stands at $38.1m and there are 12 territories to go over the next few months including Australia and Germany in August. Finally the comedy Bruno will launch next weekend day-and-date with North America in all eight Universal territories including the UK, Germany and Australia.
* The Proposal added a further $4.2m through Walt Disney Studios Motion Pictures International from 1,753 screens in 15 territories for an early $29.5m. Australia generated $1.6m in fourth place from 240 sites in its third weekend for $8.5m, and Mexico delivered $598,000 in fifth from 435 for $4.5m after three. Russia has produced $6.4m so far and according to Disney ranks as the biggest romantic comedy of the year-to-date.
* Hannah Montana The Movie climbed $2.6m from 2,040 theaters in 28 territories for a very respectable $59.9m after adding $1m from 185 screens in its second weekend in Australia to rank fifth on $2.7m.
* Disney is adopting its customary softly-softly approach with its Pixar release Up, which so far has amassed $50.8m after adding $1.8m from 1,350 screens in 15 to track ahead of Wall-E and Ratatouille at the same stage.
The film’s second major wave of releases comes when it lands in France, Spain, South Korea, Hong Kong and Taiwan on July 29.
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